If Donald Glover is a man of his word then tonight – here in the cavernous o2 – we are witnessing the last show Childish Gambino will ever play in London. If this is indeed the end of the Gambino journey, it’s been an enthralling one.
Our review of Little Simz's long awaited album, Grey Area.
Without her usual jagged guitar and driving rhythm section, Le Bon’s voice becomes centre-focus. Read our review from her live show at Kings Place.
2018: the year that changed the way we look at live shows. We take a look back at some of our favourite live performances from David Byrne, Christine & The Queens, Janelle Monáe and more.
We went to see Jon Hopkin's sold out show at O2 Academy Brixton, a fitting victory lap for the artist after releasing his first album in five years.
We witnessed the spacey and sultry three-piece Khruangbin in Camden’s Roundhouse for their biggest UK headline show to date.
Maribou State bring their fresh new live performance back to London for the first time in two years and manage to sell out The Roundhouse with their return to stage.
We went to see the 20-year-old artist, Rex Orange County at Hammersmith Apollo.
St Vincent is completely mesmerising at her Cadogan Hall piano show.
Our photos from Alexisonfire live at the O2 Academy Brixton
The o2 moves as one, united in adoration for this band that have transcended cartoon concept to become the bringers of the biggest party on this rotten planet.
Visually it’s fantastic, but it’s the acerbic precision with which he spits out each bar that’s especially impressive
Latitude takes the opportunity of its twelfth edition to further verify its liberal, family-friendly superiority.
Citadel may have been their only UK festival of the year, but boy did Foals make it one of their best.
Being free from the grimey clutches of the Man is key to Brainchild’s appeal, joyous energy and critical success. It’s also the only festival I’ve been to and not seen a single can of Carling...
NOS Alive is an absolute blast of a festival.
The Californian four-piece deliver a set that builds from mellow beginnings to a euphoric finish.
Comet Is Coming are a formidable live force...
Her voice judders like on record but in person it’s more visceral; it’s Olsen alone, but it’s her at her best.
We went along to see the best of Dutch talent at The Great Escape.
The crowd are putty in the hands of Sylvan Esso, hanging onto every word of every song.