We review the forthcoming LP, Pony, from the enigmatic cowboy, Orville Peck.
If, like me, you consider steel drums to be the most joyful instrument on the planet, then you’ll probably concur that Roberto Carlos Lange’s ability to make them resonate with sweet melancholia on ‘Imagining What To Do’ neatly sums up the rich and sumptuous experience of This Is How You Smile.
Merging the kawaii influence and positivity of their debut album, Pink, with a powerful and unapologetic feminist standpoint, the Japanese four- piece solidify their concept of self-expression and perfect imperfection without holding anything back.
Following on from 2015's Death Magic, Vol. 4 still packs a fair punch, but once more redraws the lines of what to expect from this atypical heavy band in 2019.
Pratt's third album is that rare thing, where the music is so preternatural that it's almost impossible to understand how the musician got there.
Now, with Annie Hockeysmith continuing without guitarist Georgie, she’s produced an EP that keeps experimentation alive but introduces flushes of pop.
The idea of one artist reproducing the work of another isn’t new, but put all thoughts of Ryan Adam’s reworking of T Swift’s 1989 to one side, because Mercury Rev’s loving tribute to Bobbie Gentry’s flop 1968 masterwork is something else.
Our review of Little Simz's long awaited album, Grey Area.
The duo have created a wild landscape where you forget where you’ve been and can’t see where you’re going.
...Jacklin's latest release Crushing is an emotive time-capsule that solidifies the singer's identity and radiates an impeccable sense of self- assurance.
Highway Hypnosis veers between diluted versions of 90s rave culture and bass-heavy hip-hop.
This album pulses with vibrant life.
Our review of Chaka Kahn's new album, Hello Happiness.
Homeshake goes from strength- to-strength and it’s a treat to float away with Helium.
Indeed, that’s exactly what makes his debut album so emphatic – AJ is able to stretch, to absorb new influences, while remaining completely true to himself.
Without her usual jagged guitar and driving rhythm section, Le Bon’s voice becomes centre-focus. Read our review from her live show at Kings Place.
2018: the year that changed the way we look at live shows. We take a look back at some of our favourite live performances from David Byrne, Christine & The Queens, Janelle Monáe and more.
We went to see Jon Hopkin's sold out show at O2 Academy Brixton, a fitting victory lap for the artist after releasing his first album in five years.
We witnessed the spacey and sultry three-piece Khruangbin in Camden’s Roundhouse for their biggest UK headline show to date.
Maribou State bring their fresh new live performance back to London for the first time in two years and manage to sell out The Roundhouse with their return to stage.
We went to see the 20-year-old artist, Rex Orange County at Hammersmith Apollo.