barely even a vague cohesiveness to each stage's running order, yet acts of the highest calibre can be unearthed in even its tiniest crevices.
For the most part, Company is a record of irresistible contrast. Undoubtedly unique, this is a heady concoction to savour.
New Sounds 2015: Lee Wakefield chats to Turnstile's new signing Trust Fund about his 2015 debut
The only potential flaw with Live It Before You Die It Up is that it’s over far too prematurely
part of Francobollo’s charm is their ability to scuff over the details and initiate you into their irresistible movement of not giving a shit. Consider me an honorary member.
Second Comin' feels a smidgen disjointed, but it's likely, however, that you'll be dancing far too hard to care
There is little doubt that you are a guest at the table of Flying Lotus’ demented tea party – never has tumbling down the rabbit hole been so blissfully unnerving
We talk to Perfume Genius ahead of the release of this fierce new album Too Bright for the cover of our September Issue
While another album has inevitably been recorded in the time it takes to read this review, Manipulator is Segall’s most exhilarating offering in some time
This is a spectacle, savage and hypnotic in equal measure, helmed by one of the most underrated songwriters of recent times.
Pains hurtle through a set list that creaks gloriously under the weight of Days Of Abandon, sending us grinning into the night
Abbott appears ambitious throughout Wysing Forest: impossible to define, yet all the more enthralling for it.
Lee Wakefield Catches up with the awesome Throwing Snow on his debut album and its creation.
Lee Wakefield delves into Pond's definite barmy appeal, talking to multi instumentalist Jay Watson.
Bitterly lovelorn and wickedly haunting, Whelm will chill you to your bones
While alarmingly adept at crafting songs with brutal resonation, How To Dress Well is equally as impressive in the throes of a crisis
TEEN have finally unearthed an offbeat R&B that suits them rather perfectly.
Metronomy are at their most charming, at their most wistfully endearing, when their understated quirks shuffle to centre stage.
I’m not sure you’ll hear a better record all year.
California’s Gardens & Villa, possesses an infectious bounce that is deliriously addictive.
Lee Wakefield chats with Cloud Nothings ahead of their London shows and latest release Here and Nowhere Else