Geography is a more polished, less adventurous album, but this shows the growth Misch has gone through as a musician and producer.
It's a complex piece of work that both challenges and satisfies at every turn...
A record bursting with contrasting musical ideas and irresistibly catchy rhythms.
Isolation feels like a project of love, as it glides across genres, dropping hit singles along the way.
But it's been 18 years. None of us are young anymore. Not even them.
With gritty Destroyer-like lyrics and Kurt Vile-esque slacker snarl, he makes it sound easy
Listening to Vessel is like being invited into your coolest friend's bedroom to hear them riff.
But this record is less a riot, more a beautifully shuffling glide. A gorgeous, quiet album made in loud, confusing times.
It could be suggested that while Nehru isn’t doing anything particularly groundbreaking, Elevators Act I & II still sounds good.
Album highlights 'You Will Not Die' and 'Presbyteria' are slow-burning, piano-led anthems that put tenderness at the forefront of the record; his pain is there, demanding to be heard, but it's resilient.
Mutual Horse is Miranda’s most collaborative project to date
Three years on, Alloysious Massaquoi, Graham 'G' Hastings and Kayus Bankole are clearly no keener to convert casual listeners by making concessions to their art.
All The Must Be isn’t by any means a classic; it's a huge step in what was already the right direction.
Now on their fifth album, and the first since Trump came to power, frontman Patrick Stickles is exploring his homeland's current divisions alongside his own personal turmoil through the warm lens of the 1970s.
Exploring the patches of brightness and shadow flickering between inside and outside, self and other, Plays With Fire is the experience of lying on your bed, mid-afternoon, lamenting the end of summer.
Open and somehow undemanding in its complexity, the shapeshifting nature of FEELING asks the listener to become lost in its textures.
For early detractors it was easy to dismiss Rolo Tomassi as a curio, but the group have had time to mature and metamorphose into a more nuanced beast.
This selection of songs maintains all the chilling intimacy we came to love from Collection, while the production of Gabe Wax has added a fullness and instrumental intricacy to proceedings.
Nathan Fake has embraced the messy energy of the recording, adding a personal touch to a record that is simultaneously industrial and deeply emotive.
There's certainly a broader remit throughout and the songs promise a breathless live show, but; and perhaps it's a consequence of this, it's the quieter moments that standout.
XL Recordings co-founder Richard Russell presents Everything is Recorded; a collaborative project born from studio jam sessions which sees him sewing together past and present with remarkable cohesion.