We talk to Clara Amfo about her journey into presenting for Sounds Like London
"...now I wake up at three in the morning worrying about Mel Gibson and his mental state..."
Peer into the inner workings of Evelyn Ida Morris in the midst of the release of their new album.
"The party gives me life man, and you know when you're making music it's a party anyway."
"I wanted to make something that didn't just reflect how fucked up everything is - I wanted to emit some beautiful feelings."
"The more negative energy there is in the world, the more clubs demonstrate their importance in our society."
New venue the Beach comes to The Great Escape for 2018.
That notoriously difficult second album? No sweat, as Kate Solomon finds out.
Mark 'E' Everett's new album The Deconstruction is a long-awaited return created out of personal upheaval.
"Being on tour in the two months following the election...I think just made me feel differently about our country."
Verge Collection on new album Flaneur, coming of age and being a 'poor man's Rolling Blackouts Coastal Fever'. With a liberal dose of self-deprecating humour, a...
We sat down for a quick Q&A with DJ and producer Lemmy Ashton ahead of Field Day.
Over ten years on from Digitalism's debut album, Katie Thomas speaks to the indie-electronic duo about their journey so far - and where they're going next.
Having released new album Her last month, the Melbourne band explore comfort and catharsis.
Fresh from her International Women's Day performance at VAULT Festival, we talk to Etta Bond about body positivity, making it in music and the women who inspire her the most.
"Some people have a fixed idea about what music should be and it's actually quite restrictive and it's rewarding to get past that..."
“I know that I'm as good asa lot of other people who are successful, so all I can do is work – even if I have to work 10 times harder, I'm going to do it.”
Le Kov is the antidote to the storm swirling around the world right now - bright, mythical, and magical. For Gwenno, that was always the aim.
The Clientele's Alasdair MacLean talks English suburbia, nostalgia and Music For The Age Of Miracles ahead of the band's show at Scala.
In our February cover story, Rachel Grace Almeida discovers how the band's finest album became a tool of self-expression and comfort.
Fittingly titled Jackuum!, we find out why D Double E's debut album has taken quite so long and why it was always going to be worth the wait.