This collection of tracks are uncluttered, stripped back and minimalistic in approach, resulting in a concise and purposeful twenty- five minutes.
Daniel Avery takes over York Hall for a massive eight hour set that climbs from a sparse start to an explosive finish.
"Some people have a fixed idea about what music should be and it's actually quite restrictive and it's rewarding to get past that..."
It's nothing short of euphoric to witness Peggy Gou’s reinforcement of her position as one of the dancefloor’s greatest interpreters in 2018 and beyond.
Summer may be a hazy memory but the Loleatta Holloway-sampling title track is primed for smouldering festival sets, and it looms large over this body of work too.
“For me, I get feelings from music that I don’t get from anything else, like I’ve never experienced before.”
Princess Nokia has garnered a reputation as a formidable live performer and it’s impossible not to be utterly engrossed.
It makes sense for the record to stretch over the seventy minute mark, each track mostly improvised and afforded the room to unfurl and mesmerise with quiet purpose.
If you couldn’t tell from his recordings, Jacques Greene specialises in euphoria.
On The Kid, Kaitlyn Aurelia Smith is "following what feels good, what feels fun", and it shows.
Four years since we last heard from him, on his long awaited debut, Lunice is comfortably at his trailblazing, bat-shit best.
On his debut album, the ancient inhabitants of Mamu are in peril and only Iglooghost can save them.
With their debut album finally awaiting release, Bicep discuss stepping outside the club and exploring new territories.
Not many in the UK can compete with Farr when it comes to putting on a party with such dizzying brilliance...
A salivating prospect for any fan or fabric devotee.
Billed as “an abandoned village lost in time” and buried deep in the Lincolnshire countryside, Lost Village is worthy of your attention.
Farr Festival is one of the most essential dates on the festival calendar for anyone with a passing interest in electronic music.
Take a look at all the exciting things Green Man have in store for their Kings Cross Courtyard.
Eight albums in, Clark tells us there's still plenty of fun to be had in creating his new record, Death Peak
Greene’s ability to litter his tracks with insatiable grooves and warped vocal samples, primed for the club, while packaged like succinct pop smashes has always been a key part of his appeal
We chat to Allison Crutchfield about stepping out solo as she releases her debut album.